Studio Albums

Room To Breathe

2003 - MCA Nashville

  • Secret
    (Lisa Brokop, Ron Harbin, Cyril Rawson)

    If I Had Any Sense Left At All
    (Hank Cochran, Dale Dodson, Red Lane)

    My Sister
    (Bonnie Baker, Amy Dalley, Roxie Dean)

    Once You’ve Learned To Be Lonely
    (Candy Cameron, Chip Davis, Sharon Vaughn)

    Moving Oleta
    (Barry Dean)

    Love Revival
    (Marc Harris, Leslie Satcher)

    He Gets That From Me
    (Steven Dale Jones, Phillip White)

    I’m Gonna Take That Mountain
    (Melissa Perice, Jerry Salley)

    Room To Breathe
    (D. Vincent Williams, Vicky McGehee)

    Sky Full Of Angels
    (Burton Banks Collins, Clay Mills, Lisa Stewart)

    Somebody
    (Dave Berg, Sam Tate, Annie Tate)

    It Just Has To Be This Way (with Vince Gill)
    (Liz Hengber, James Dean Hicks, Anthony L. Smith)

 

Released on November 18, 2003
Produced by Reba McEntire, Buddy Cannon, Norro Wilson

US Standard CD: B0000451-02
MCA Nashville

US Standard Cassette: B0000451-04
MCA Nashville

Canada Standard CD: B000045102
Universal Music Canada

UK Standard CD: 170 385-2
MCA Nashville

US Advance CD: MCNF-02479-2
MCA Nashville

US Advance CD-R: No Catalog Number
MCA Nashville

UK Advance CD-R: No Catalog Number
Island Records


On Thursday, June 26th, 2003, Reba received the Career Achievement Award from the Country Radio Broadcasters. As she was accepting the award from longtime producer Tony Brown, she mentioned she was going into the studio June 30th to start work on her 23rd studio album, her first since taking a short break from music to focus on Annie Get Your Gun and her hit WB sitcom, Reba.

Reba sat with legendary singer-songwriter Carole King to write some songs for this album, but in the end, they did not make the cut. "We got together--Carole King and I did--to write some songs, and the songs that I heard, I'm gonna pass on," she told Launch Radio Networks at the time. "I'm the type of person [that] I don't care who writes it, who produces it, where it comes from. I'm lookin' for the best songs for the new CD, and so, unfortunately, that didn't make the cut."

After deliberations about what the first single might be - including the choice of “Love Revival” as a potential first single, “I’m Gonna Take That Mountain” was released to radio on August 25, 2003 with the video receiving the final edits on September 23 before its premiere on CMT’s Most Wanted Live on October 4th.

The cover art for Room To Breathe debuted on ExtremeReba.com on September 19th.

“Somebody”, the second single from the album was sent to radio stations on December 22nd and after a hard-fought battle by all involved, it hit the top of the Billboard Hot Country Singles and Tracks Chart on August 7, 2004. A number-one party soon followed where it was announced that “He Gets That From Me” would be the third single.

Liner Notes/Production Credits

  • Produced By - Reba McEntire, Buddy Cannon and Norro Wilson
    Recorded By - Billy Sherrill at Starstruck Studios (Nashville, TN)
    Assisted By - Todd Tidwell and J.R. Rodriguez
    Additional Engineer - Tony Castle
    Mixed By - John Guess at Starstruck Studios (Nashville, TN)
    Assisted By - Patrick Murphy and J.R. Rodriguez
    Mastered By - Hank Williams at MasterMix (Nashville, TN)
    Production Coordinator - Shannon Finnegan Scott

    Bass Guitar - Larry Paxton
    Drums/Percussion - Paul Leim
    Piano - John Hobbs
    Synthesizer - Randy McCormick
    Electric Guitar - John Jorgenson, Gregg Galbraith
    Acoustic Guitar - B. James Lowry
    Electric Guitar - J.T. Corenflos
    Lap Steel - Dan Dugmore
    Steel Guitar - Dan Dugmore
    Fiddle - Alison Krauss

    Background Vocals - Linda Davis, Chip Davis, Curtis Wright, Bergen White, Lois Nunley, Lisa Cochran, Marabeth Jordan, Alison Krauss, Dan Tyminski, Bob Bailey, Vicki Hampton, Kim Fleming, Sonya Isaacs, Curtis Wright, Dennis Wilson

    Sonya Isaacs appears courtesy of Lyric Street Records
    Alison Krauss appears courtesy of Rounder Records
    Dan Tyminski appears courtesy of Rounder Records
    John Jorgenson appears courtesy of Pharoah Records

    Representation - Narvel Blackstock for Starstruck Entertainment
    Art Direction and Design - Bethany Newman
    Photography - Ron Davis
    Hair - Brett Freedman
    Makeup - Terry Apanasewicz
    Wardrobe - Michelle Moder

  • This was a fun CD to make. I hadn't recorded a studio CD since 1999. We had our third Greatest Hits CD out in 2001, but I only recorded 2 singles for that CD. I did that during my run on Broadway doing "Annie, Get Your Gun."

    If you know me very well, you know how much I love working on a great team. This one is a great one! David Conrad suggested Norro Wilson and Buddy Cannon to produce the CD, and I thought it was a great idea! Then with all four of us looking for songs, the magic started happening. The songwriters were in true form sending us some of the greatest songs I've ever heard. I think you'll agree. Then we turned it over to the musicians, they did a great job.

    This CD feels autobiographical to me because it has every type of music I've ever recorded. There is everything from hard-core country on one end, to contemporary on the other, with bluegrass, gospel and jitterbug in the middle.

    From our first single "I'm Gonna Take That Mountain" to the last song on the CD, "It Just Has To Be This Way," the duet with my buddy VInce Gill, the songs take you on a journey from sad, to happy, to feel good and toe-tappin'. It all starts with the song, so thanks to all the writers for sharing your gift.

    I want to dedicate the song "My Sister" to my two wonderful, loving sisters, Alice and Susie. Whether you're blood kin or close friends, sisters are very special people. Just ask Jen and Barbara; Rickie, Paula and Doris; Mama and Aunt Jeannie..... the list goes on and on. Thank God for sisters.

    Thanks, Narvel for being my voice of reason time and time again for helping me narrow down the huge list of songs I fell in love with. Shelby, you continue to inspire me with your wit, personality, and sense of humor. I love you both, and I thank God for you daily.

    I can never decide what part of the recording process I enjoy the most - finding the songs, recording them, finishing them up, promoting them or singing them in front of a live audience. I'd say: all of the above!

    So have fun listening to this CD, and come on out and see me on the road or tune in on Friday night, where I'll be with my TV family on the sitcom "REBA." Live is good, too much fun!

    Love,
Reba

    Finally, thank YOU for listening.
    Love,
    Reba

News

Audio

 

Photography

Music Videos

“I’m Gonna Take That Mountain”
Directed by Nancy Bardawil

“Somebody”
Directed by Trey Fanjoy

“He Gets That From Me”
Directed by Trey Fanjoy

Biography

Reba McEntire never wanted to take four years between albums. But along the way she encountered a couple of diversions - including garnering commanding reviews for her starring role in the hit Broadway revival of Annie Get Your Gun and launching her successful new TV series, Reba.

As much as she missed recording and singing, her absence allowed her a chance to recharge her musical batteries. Now she's ready to return to her first love with a renewed perspective and a stronger-than-ever commitment. In doing so, she's turned Room To Breathe into a celebration of the sum of her strengths, creating a stunningly emotional, wide-ranging album that underscores why she's the most remarkable and accomplished female country singer of her generation.

"I'm proud of all the music I've recorded and not to sound egotistical" Reba remarks, "but I think this is the best collection of songs that I've ever had on one album."

While she worried about staying away so long - this is also the first time she's ever gone more than two years without staging a concert tour - she figures that the break allowed her a chance to re-evaluate what she loves about singing country music. Like the title song says, it gave her room to breathe. Now, having exhaled, she savored the chance to record again, and she did so with more vigor and resolve than ever.

"There's something about having been away from the routine of the music business that ended up being refreshing to me," she says with her typical aplomb. "By getting away from it for a little while, it all feels fresh and new again. It's got a crisp feeling to it. It's just felt so wonderful to get back to music again."

It shows. Room To Breathe soars with exuberance and sighs with heartbreaking subtlety, showing the full range of Reba's remarkable powers. The album shows off the traits that transformed the redhead from tiny Chockie, Oklahoma, into the most important and influential female country singer of her generation.

"I started with this CD the same way I did with all the others, I just tried to find the best songs I could," she explains. "But I wasn't going to be persuaded by anything other than one question: Does this song touch my heart? Even if someone else thought a certain song would be a hit, I wasn't going to record it if it didn't flat out move me to the core. I didn't want to pay attention to trends and politics. I just wanted to pay attention to what I felt inside."

Of course, moving listeners is what Reba does as well as anyone alive. It's why she became the first country female artist to sell five million albums on one album since Patsy Cline. It's why she's now sold more than 48 million albums in her career. That's why stars like Faith Hill, Martina McBride and Trisha Yearwood cite Reba McEntire as a prime influence.

That influence has manifested itself in many ways. As a role model, she's shown others how to handle fame with grace and good humor while never backing down from her values or goals. Just as importantly, she's shown others to refuse to accept limitations on what she can do or how much she can achieve.

"Whatever I'm doing, I feel like I'm representing country music," Reba says. "It's always been my main career, and it's where my loyalties lie. I feel like I'm waving the flag of country music wherever I go, and I couldn't be prouder to do it."

Room To Breathe confirms Reba's dedication to Nashville and the music that launched her one-of-a-kind career. To continue her fresh break, she collaborated with veteran producers Buddy Cannon and Norro Wilson, the latter of whom worked with Reba on her first album for MCA Records in 1984.

"They're a great team. They're both such good song guys, and that's what this album is about for me - the songs," she says. "I always wanted to work with Norro again, and I've always been a fan of Buddy's work. They're laid-back, fun to work with, and true professionals, I couldn't ask for more."

For the up tempo songs, Reba wanted a contemporary sound that drew on traditional sounds like bluegrass, hardcore country and gospel. Her first single, "I'm Gonna Take That Mountain," features banjo, fiddle and dobro in a brisk, modern setting that allows Reba to show off her powerful voice and her equally powerful spirit. A song about conquering new peaks, it fits with Reba's recent accomplishments as well as her career-long attraction to songs that address women who go after what they want in life.

Two other songs - the romping "Love Revival" and the stirring "Sky Full of Angels" - both bring a sense of spiritual strength to Reba's repertoire. "I love those songs because they make you feel so good when you sing them and they are so right for our times," she says. "They have a message that I think is really important. I'm so glad that patriotism and spiritualism are coming back to country music. It's more rooted and grounded in the values of home and family. We need that."

Of course, Reba's always tapped into the tender aspects of human relationships with particular sensitivity. Room To Breathe presents several exceptional songs about life's complexities, including the title song, which finds a woman gently asking her lover for space to find herself. She doesn't want to lose him, but she also wants "to make sure I don't lose me."

Similarly, "Learned To Be Lonely," "He Gets That From You" and "It Just Has To Be That Way" (the latter an exquisitely performed duet with Vince Gill) all find Reba breathing life and depth into individuals caught in moments of painful reflection and transition. Reba gives the lead character of each song a flesh-and-blood dignity that underscores why she attracts so many fans both within the country music faithful and from those who may not have considered themselves country fans in the past.

Other songs celebrate the special bonds of family. "My Sister" honors the unique ties of female siblings with a kind of knowing detail that's personal yet universal. "My older sister Alice was in Nashville as we were recording that song," Reba recalls. "She came with us to the studio as we were putting harmonies on it, and when she heard the lyrics, oh she just cried. She loved it. We're very close."

"Moving Oleta" deals with a more difficult reality - that of a loved one with Alzheimer's disease. Reba's tackled sensitive subjects like this before, and once again she creates an unforgettable performance that will bring tears in a way that encourages healing and discussion.

"Alzheimer's has touched everybody's life in some way. 'If you don't have someone in your family or someone close to you who has Alzheimer's, you're in a minority.' As soon as I heard that song, I knew it had to be on the album."

It's exactly those kinds of songs that have made Reba a household name. Like Oprah, another down-home woman whose compassion and talent turned her into the most approachable of entertainment idols, Reba has a way of raising issues and representing the dreams, desires and concerns that link people of all cultures and backgrounds.

It's that quality that has allowed Reba to branch out beyond any one medium. Whatever venue she tackles, she brings the same strong sense of herself and the same ability to engage people with her personality and talent.

Her move to Broadway obviously presented an enormous challenge - she'd never performed in a play, yet she leapt right into the starring role of one of the most successful and demanding shows on Broadway. She earned rave reviews across-the-board, winning over critics and audiences alike.

The famous celebrity columnist Liz Smith crowned her "the Queen of Broadway," and USA Today suggested "you'd swear Irving Berlin wrote it just for her." New York Times critic Ben Brantley became one of her biggest champions throughout the run, at one point describing Reba as "a nonchalant showoff, making a highly polished performance seem so easy that you wonder why we aren't all Broadway stars."

Reba brought the same naturalness to her leading role in the hit WB Network sitcom that bears her name. "I think the Reba character is a lot like me," she says. "The writers have gotten to know me, so they make her more like me all the time. We have spiritual people writing and working on this show. People with good hearts who want to set good examples like putting a lot of moral values into the character...the kind that Mama and Daddy taught me. That's what makes the show so special and fun for me."

Meanwhile, Reba looks forward to taking her new music to the concert stage. "In 25 years, this is the longest break I've taken from live performing," she says. "I needed a break, to be honest. But now I'm ready. The fans always make it really special, and I miss it."

That word - heart - keeps coming up as Reba talks about her music these days. For someone who's accomplished so much, who's reached so far beyond her wildest dreams, everything still comes back to the same quality that initially drew her to music and to performance in the first place. Reba McEntire has succeeded so well because she knows what's important: sharing her heart, and touching other people's hearts.

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